
I’m thrilled to be reading alongside these terrific poets next Monday March 21, 6-8pm. Please register here and join us – we’ll be there in person!!
I’m thrilled to be reading alongside these terrific poets next Monday March 21, 6-8pm. Please register here and join us – we’ll be there in person!!
Poetry lovers – don’t forget the Liquid Amber March Poetry Zoom coming up this Thursday March 17, 7.30-9.30 AEDT. Whoohoo! Be part of our growing community of those who love to write and read poetry and those who love to listen to it: We’ve got a great line-up of open mic-ers ready to go + our feature poet Mark O’Flynn is reading from his new book Undercoat: Poems about Paintings, to be launched by Peter Minter. See you there for a great night!
Register here for your free zoom link: https://liquidamberpress.com.au/events/
What’s the time where you are?? https://www.timeanddate.com/worldclock/converter.html
Register now for the Liquid Amber March Poetry Zoom and be part of our growing community of those who love to write and read poetry and those who love to listen to it: Thursday March 17, 7.30-9.30 AEDT.
We’ve got a great line-up of open mic-ers ready to go + our feature poet Mark O’Flynn is reading from his new book Undercoat: Poems about Paintings, to be launched by leading Australian poet, Peter Minter. See you there for a great night! Sign up here for your free zoom link: https://liquidamberpress.com.au/events/
What’s the time where you are?? https://www.timeanddate.com/worldclock/converter.html
The Liquid Amber 2022 Poetry Prize is now open!
What moments startle us out of our ways of understanding ourselves and the world? What might it mean to encounter the strange skin of the unexpected?
Step out. Take a risk. Write about it.
All poets are invited to join in by exploring the theme ‘The Poetry of Encounter’ – through a provocation of images and words.
Entry form, guidelines and provocation sheet here: https://liquidamberpress.com.au/2022/02/08/2022-poetry-prize-encounter/
Welcome to another great year of poetry with Liquid Amber Press! If you love writing, reading or listening to poetry across all its wonderful voices, join us for our next free Poetry Zoom : Thursday, 17 MARCH, 7.30-9.30pm AEDT. Register (free) here to receive the link: https://liquidamberpress.com.au/events/ . Bring your friends! Subscribe to our newsletter to keep up to date with our exciting 2022 poetry events and opportunities: https://liquidamberpress.com.au/
Our feature poet in March will be Mark O’Flynn, reading from his new book of poetry Undercoat: Poems about Paintings (Liquid Amber Press, 2022), to be launched by Peter Minter. And if you’re interested in sharing 3 mins of your own work, get on the Open Mic list quickly, by contacting: info@liquidamberpress.com.au
I’m delighted that two of my poems from these recent plague years have recently appeared in issues of APJ: ‘Online’ in Vol. 9, which explores the often surprising closeness that can come about via zoom conversations; and ‘Year of Breath,’ in Vol 11.1
There is a pocket in the ether
that holds us
it darts elusive around the globe pressing
into what can be seen
emerging into the quiet air of daily
breathing sometimes our voices
or our faces find it and
sometimes what might happen between one
person and another
really happens
and sometimes
those smiles spark
and crackle
in the possibilities of what might
yet happen
there is a pocket in the ether that
holds us
it builds slowly in shadow while
you sleep while I work
while I sleep and you work
through the landscapes of our dreaming
while magpies call into cool autumnal air
while spring unwraps
its bright green flags
My review of Hannah Kent’s powerful new novel has just come out in the summer issue of Australian Book Review – check it out. Like Kent’s other two novels, it’s about women at the edge – the edge of their own understanding, the periphery of social acceptance, the edge of what we might understand as realism. This is a narrative about traumatic change, persistence and the possibilities – as well as the limitations – of what it might mean to operate from a position of devotion.
Happy summer reading.
Angophora Costata is in Christmas flower. This poem, ‘The Hum of Angophora,’ first published in Writ, is coming out in my next collection, Increments of the Everyday, with Puncher and Wattmann in 2022. I hope you enjoy it.
The Hum of Angophora
The low and knotted branches of the Angophora
are laden with blossom the blush
of new tips pushes into daylight like dreams although
last night’s rain weighs heavy and
their fingers droop almost
brushing the bark-strewn grass
noisy and flamboyant wattlebirds and
eastern rosellas move along branchlets
through a community of leaves calling and feeding while
magpies wait thoughtful in foliage watching
the possibilities of the stirring
ground
one year a pair of tawny frogmouths built a platform
in the fork of a branch so that two
downy chicks could sit
waiting out precariousness
while parents
sounding softly into the darkness
returned with morsels until
ravens swooped spilling
the contents of the nest
tree mind holds them this pulse of things that live
and shift
and scatter
the wide and impassive generosity of its branches reach
and arch twist and knot
in filtered sunshine its own world
of space and twig sap and leaf ant
and bee the hum of
things that live and shift
then scatter
In Virginia Woolf’s life-changing novel, To the Lighthouse, the lighthouse itself – as a geographical, artistic, creative space or idea, is of course never reached. It’s dreamed about, talked about, planned for and Lily Briscoe thinks what it would mean to paint it – but it remains, deliberately, out of reach of the words’ extraordinary ebb and flow. The lighthouse is summoned into imagination but it isn’t owned or held. So I do recognize that as a place of destination, the ‘lighthouse,’ however signified, is by definition never arrived at; indeed it would be a reductive notion to think that such a thing could be achieved. However, I do want to say that when I come up the sandy, salty path that leads out onto the headland to the Griffiths Island lighthouse, my heart lifts in a way I can barely describe. This is a place where, for me, happiness arises, a place of re-centring, where it seems particularly easy to be present, simply, to smell the air, to follow the sea birds skimming the waves. Such an embodied engagement with a place, its powerful ‘here-ness,’ operates as a conduit – not for some transcendent meaning or elsewhereness, but as an experience of being fully awake, body, senses, mind, unfolding in the now. A portal to right here. A gift.
I’m thrilled to be shortlisted in this ekphrastic challenge! Here is Kym Barrett’s luminous image, and my poem which responded to it.
https://www.qldpoetry.org/qraa-ekphrasis-challenge
Portal
After ‘Gateway’ by Kym Barrett
Right here
at the point where grasses thrust
out of a soil bed’s loamy complexity
where the moods of spring rain wend
their way to leaf and bark and mud
the uncurling extension of what grows
rolling like a cat in sunshine
this green doorway into what can only be
sensed where what is in shadow might
lift its breathing head into the permeability of light
clearing a passage right here
this rustle these blades of joy